Hobbs consultancy and neurodiversity (B2)

Interview Hobbs consultancy

Me:

Thanks. So I could start with why there is a need to get all employers thinking about employing people with autism.

Roxanne Hobbs (Head of Hobbs consultancy):

Yeah, I’m just thinking about how I want to answer that question because I believe many different aspects should be considered. I think there’s a massive underemployment rate amongst autistic people. The underemployment rate is significant; this needs to be corrected, and they need help finding more meaningful employment. I’m not going to be able to quote the number for you, but I know it’s too high. It should be a human right for people to have access to employment where they can make a difference. I also think autistic people have got so much to offer. I think they can be fabulous, and they can have such a lot to bring in and offer to the workplace. I would love to see the workplace benefit from those experiences and those skills.

Me:

As a consultancy, you look at enabling employers to employ neurodiverse individuals. What kind of organizations do you get coming to? What factors do you look at when improving the working environment for Autistic employees?

Roxanne Hobbs:

What kind of organizations? So, people don’t tend to come to us with that specific question about improving the environment for autistic people because of the nature of our business. We get people coming to us who want to improve their diversity and inclusion as an organization. They come in with that high-level objective, and then within that, we might be talking about gender, we might be talking about race, and then we start talking about neurodiversity as well. I think many of the organizations I work with are quite creative organizations. So, they might be do things such as branding or advertising or architectural firms. I actually think a lot of the time these companies have more neurodiversity than they realize within their building anyway. And I’m going to feed into a stereotype here. But if you think about an architectural company then Dyslexic people, the stereotype is that typically they good at that kind of creativity and spatial awareness.

And so it would make sense to me that within an architect’s practice, they might over-index on Dyslexia. And I think part of the process is it’s not just about getting people through the door, is it about creating an environment where those people can thrive, but also where they can feel able to disclose that they’re Dyslexic, that there’s no stigma or shame associated with it, and they can be seen for the strength that they bring to the table as well. 

Me:

How do organizations kind of typically respond when you start talking about neurodiversity?

Roxanne Hobbs:

You know what? This has been so fascinating for me. So, I started talking about neurodiversity and organizations in 2018 we did the Diverse Minds conference. That’s when we first started talking about it. And I was astonished at how it was embraced with open arms. Actually, I’d been speaking about gender for five years, at least before then. And I’d met a lot of cynicism, a lot of microaggressions against me. Somebody literally said, oh, you’re going to start burning your bra now, Roxs and those kinds of comments. And it felt like a constant push to persuade people that gender diversity was good for business. I haven’t experienced that same cynicism when speaking about neurodiversity. And I think it’s because if it’s explained well to people and especially the concept of the Spiky profile, that someone who is neurodivergent will typically; that they’ll be things they excel in and things they struggle with. I think leaders can see quite quickly the potential benefits that such individuals can bring to organisations.

So, I think people get the business advantage of embracing neurodiversity quicker than they understand the business advantages of gender diversity in the workplace. That being said, there is the danger, isn’t there, that we’re just talking about a certain type of neurodiversity. We’re talking about, God, I hate this language. I don’t really want to use it, but we’re talking about the individuals that are going to be able to perform at a very high level within an organization. Obviously, you know as well as I do that autism is a very complex condition, and you’ve got an enormous amount of variety in there, and you’ve got some people that really would struggle in the workplace on that spectrum. And I am worried that that kind of business case argument excludes a lot of autistic people. So, there is a downside to that. In summary, the business case is understood a lot more readily than it is with other diversity metrics. But there’s the danger that that doesn’t include all neurodivergent people or autistic people even.

Me:

I am interested in hearing more about how your organisation have gone towards more employment for neurodiversity for example you mentioned the neurodiversity conference what did that involve?

Roxanne Hobbs:

So we’ve done two, one in 2018 and one in 2019. And then we’re going to do one in 2020, and then the Pandemic happened. The 2018 one was all about celebrating neurodiversity in the advertising industry. And what we did was invite people who identified as neurodiverse, whatever language you prefer to use to share their stories. So, I had an autistic CEO, for example. We had a dyslexic female founder, and they spoke, they stood up and shared their story of their struggle, but also of their strengths, their so-called superpowers that they brought in, and how they had almost learned to see their neuro divergence as a critical part of their success, not something that held them back. And it really was for me, the underlying theme of that event was about challenging stereotypes, and I think it had real meaning for me on a personal level as well. My son had been diagnosed with autism a couple of years before, and I had definitely been guilty of having stereotypes in my head about what that meant for him and his long-term career. And so, it was incredibly healing for me to see an autistic CEO who was thriving in his job just to see what was possible.

And I think from what I’m told, it had the same impact on all of our neurodiverse people in the audience. So, they were like, this doesn’t need to hold me back. I don’t need to buy into these limiting stereotypes that exist in our culture. That was the first one and then the second one. I felt it was really important to be upfront about some of the challenges that people might face because I feel like maybe we just presented the shiny side of it of all the benefits that it brings. And obviously there’s very real challenges that some of these individuals would have on a day-to-day basis in an organization. So, the second one was much more focused on the kind of support that people could get, like coaching in organizations. It was that neurodivergent design e.g., designing buildings and cabins that were neurodiversity friendly. It was about art created by neurodiverse people. It was, really looking at more practical support and barrier removal for people. And the idea was that our third event was going to be about neurodivergent leadership, but the pandemic has impacted our schedule.

Me:

Okay, so I’m assuming a divergent friendly building focuses on having the right kind of lighting, sound proofing offices, that kind of thing?

Roxanne Hobbs:

Yeah, absolutely. That I’ve just been judging the neurodiversity Awards for genius within. And there’s a really interesting entry by Balfour Beatty. it might be worth speaking to them because this is a little bit second hand, but my understanding is that they have a lot of their workforce in those kinds of temporary huts that people work in. And they worked with one of the autism charities and the designer to really create that temporary work accommodation. So like you said really thinking about the sound, the lighting, just other things within it as well. And it’s a really neat little case study of what can be done.

Me:

There are costs involved. However I suppose it also helps people who aren’t neurodiverse to actually work well. Some of the adjustments, for example, might be useful just generally.

Roxanne Hobbs:

Yeah. I think when you think about inclusive design, there’s a thought that one person’s challenges. Let’s say you take an autistic person’s challenges with a specific work environment. That person’s challenges are all of our micro challenges. So, if you solve for that person, you’re actually making it easier for everybody because you’re addressing all of our micro challenges. So even though I don’t have an autism diagnosis, I still find echoey buildings really irritating and I still get distracted by lights. And so, a building that reduces that noise, would be a better workspace for me as well. So, as you solve for that, you solve for everyone’s micro challenges, it’s a really nice design thought. You tend to find that these solutions are good for everybody.

Me:

So that’s the building side of things what about neurodiverse adjustments in general for example, how much requirement is it for companies to do diversity training?

Head Hobbs consultancy:

There’s no governmental requirement at all. There’s nothing that they have to do. There’s nothing. The companies that I work with have decided that diversity is the future of business and they want to educate their employees and create behavioural shifts in their organization to welcome that. So, it’s completely been kicked off by a CEO or an HR director or head of HR who’s like, actually, this makes business sense for us. Let’s invest in it. And when I say invest, obviously financially, but time and resource and energy as well. So yeah, it comes from good people in the organization thinking about the possibility.

Me:

However, the lack of government pressure may mean that some of the companies don’t really think about diversifying their work force.

Head Hobbs consultancy:

The vast majority of companies, probably.

Me:

However, I have had conversations with people and they tell me they feel there is pressure to diversify. Where does the pressure come from?

Head Hobbs consultancy: 

Don’t get me wrong, they are under pressure too. But that pressure isn’t coming through a legal framework from the government. They don’t have to do any kind of diversity training or work. The pressure is coming from other parts of industry. So, say you work in advertising and say Coca Cola is looking for a new advertising agency. Coca Cola will be in their brief for the agencies to respond to. They’ll be saying to the agencies, what are you doing about the diversity, equity and inclusion in your company? What’s your plan? What’s your strategy? So potential future clients are putting the pressure on. Also, people who work at the company will be putting pressure on, especially the millennials and next generation coming through. They’ll be saying, what’s going on? Why is there a bunch of white men at the top? We need to be doing something about this. And they’re demonstrating that with their feet as well. So, they will leave companies or just join companies that have really clear diversity strategies in place. So, they are under pressure. But it’s not coming from any kind of legal framework. It’s coming from clients, suppliers, talent, people within the organization as well.

Me:

So people have taken the diversity inclusion training. Have you had people feedback to you about improvements from their staff or anything like this?

Head Hobbs consultancy:

Absolutely. One of the most wonderful outcomes of doing neurodiversity workshops and organizations is it starts a conversation about neurodiversity, and then people start to come forward and say, hey, I’m autistic, I’m dyslexic. I’ve never felt safe to disclose that before. I’ve got loads of examples of organizations where that’s happened after we’ve been in. And then those people are then getting the support that they need, but they’re also contributing to that cultural shift where it’s all right to have to ask for help sometimes it’s all right not to be a perfect human being, whatever that is, because none of us are. So, yeah, I definitely see that kind of systemic change happening. And some organizations I’ve gone into, and then I don’t see them for two years. And then I hear that they’ve done a neurodiversity panel that they had a partnership with Ambitious about Autism, that they developed all of these kinds of strategies after we’ve gone in. And we’ve always done the awareness piece and introduced the topic, and then action has been taken off of the back of that to instigate real change. It’s great.

Me:

Do you think there is anything more we can be doing to encourage diversity in organisations?

Roxanne Hobbs:

It’s a really good question. Yeah. I don’t know where I stand on that. When we think about diversity, I say that we’re in the third paradigm at the moment. So, at the beginning, it was all about the legal frameworks, actually. So, it was all about people getting sued for sexual discrimination in the 70s. And because there was so much legal stuff around diversity, one of the unintentional outcomes of that was people were quite scared about hiring for diversity, then we went from the phase of it all being about the moral and social responsibility, which was effective. But there’s a lot of people that if you say you should do this, you ought to do this, they just switch off and stop treating me like a child and telling me what to do. I think where we are now is characterized by the business case and by business case, I don’t necessarily mean commercials and profitability, although that its part of it for most companies. But I think for some people, the business case is recruiting and retaining the best talent, coming up with the best solutions, being an exciting and culturally interesting place to work.

And I think once we’ve entered that third paradigm that’s been the most effective. So, yes, I think probably it needs to be accompanied by some logistical stuff on a government level. Like an example would be, I’m not talking about neurodiversity here, but an example on gender level would be if the government could make paternity leave as easy to take up as maternity leave. That would create a huge shift in terms of gender balance in organizations, because at the moment, it’s expensive for dads to take the extended leave. So, I think there are frameworks that the government can put in place like that, and I think they’re working on. and actually, these might already exist, like design standards about making things accessible for all in terms of information communication and technology (ICT) systems and so on. So that kind of, again, the framework can exist there. But I see a lot of success in the paradigm that we’re in, which is about focusing on the business case.

Me:

What kind of industries do you work with that employ neurodiverse people?

Roxanne Hobbs:

Yeah. It’s hard not to stereotype when you answer that question, but I see tech industries over indexing on autism, and ADHD to an extent. Veterinary industry, I work with that. Obviously, you have to be really good at science to become a vet that attracts certain types. I also work a lot in the advertising industry. The creative industries, they seem to over index. Well, they over index in all neurodiversity, actually. But Dyslexia, in the creative agencies, particularly in Dyslexia, there are industries that I think over index because of the nature of the work that gets put out of them. But you’ve got to be careful of the stereotyping, haven’t you? Because I think autistic people, for example, can be super creative, really creative. I’ve seen amazing creative work of autistic people, and so it would be a mistake just to think, oh, it’s just the Dyslexics that are great in terms of creativity.

Me:

Any other comments on helping the neurodiverse into employment?

Roxanne Hobbs:

How to get more neurodiverse people into work? Yeah, I think it’s really complex, and I think it’s not just about getting them in. It’s about there being an environment there which they can thrive and succeed in, because I’ve seen that happen where, I don’t know, say you’ve got an apprentice scheme and you’ve got an autistic person coming through that kind of scheme, and then they’ve gone into an environment which hasn’t been suitable for them. So, for me, it’s about the diversity, but then about the inclusion once they’re there as well. And that happens to be a two-pronged approach. And I think there’s a lot of neurodiversity in plain sight in the workplace that those people are there already. But there are also people that have been systemically excluded from the workplace because of their neurodiversity. Yeah, I don’t think I’ve got anything more. It’s complex, it’s hard, but I think we can raise awareness. Can’t we? People can understand their own stereotypes. I talk a lot in our unconscious bias training about stereotypes and helping people understand that if there are spelling mistakes on a CV, that doesn’t mean someone’s lazy. It might mean that they’re dyslexic. Or if you’ve got someone in an interview who keeps looking around the room and not getting eye contact with you, that doesn’t mean that they’re not interested.

It might mean that they’re autistic and just struggle to maintain eye contact. And so, trying to educate people on things the way it might show up in the recruitment process. So, they’re questioning themselves and not falling into those assumptions. I don’t think there’s like one thing that we need to do. I just think there’s lots of little tweaks and hacks to our current processes that need to happen to support more people in, but also to make them feel included once they’re there.

Me:

Do you instruct people in terms of how to maybe change their recruitment process so they don’t filter out neurodiverse candidates, for example?

Roxanne Hobbs:

Yeah, we do work with people on the recruitment process. The only pushback I would have is on your word instruct, because what we do is coaching approach, because we think if people work out for themselves, there’s more likely to be sustainable change. So, what we do is get them to map out their recruitment process and then ask questions about it, and then they might start to work out for themselves what might not work.

Me:

So how have people changed the recruitment process as a result?

Roxanne Hobbs:

Well, the most common thing that I’m seeing now is when they invite people to interview, asking them, do you have any additional needs for the interview process? And so, what we do at Hobbs Consultancy is if we’re recruiting, we send out the questions for the interview the day before. This is an example of a hack we’ve made. The person can read the questions and not be kind of blindsided in the interview with them. But asking what needs a person has, that becoming a part of your process to ask anybody that’s coming in for an interview, what additional requirements, what reasonable adjustments do they need for that process? And it might be that they need to not travel in rush hour or they need to be in a room without air conditioning, I don’t know. But just normalizing that it’s okay to ask for different things. So that would be an example.

Me:

I am personally in favour of getting rid of interviews I don’t think that they suit everyone.

Roxanne Hobbs:

I’ve got a lot of sympathy with that argument. I don’t think informal interviews are very helpful at all.

I completely agree with you. I think informal interviews suit a certain type of person and I’ve seen organizations like Microsoft are doing this really well where they test people’s skills rather than their ability in the interview.

Me: 

Do you have anything else you’d like to say?

Roxanne Hobbs:

And do I have anything else that I want to say? Not really. I think it’s really important to me because I have a son who’s autistic, and I want to create a workplace that is going to be welcoming to people like him and that appreciates the talents that he’s got. As more and more kids get diagnosed, I think there’s more and more parents who will be feeling the same and want to create that change for the children of the workforce of the future. So, I’m really hopeful that we are on the cusp of creating a massive shift. I’m hopeful.

End note: 

With thanks to Roxanne Hobbs of the Hobbs consultancy for taking the time for this interview.

Soviet cinema: an overview of two films

A break from the usual blog to do something entertainment based. I hope to get a series of interviews done in the next few months on one theme and publish them all together and write something regarding language points.

I got into soviet cinema when I was learning Russian, a fellow student in the Russian class described Soviet cinema as brilliantly weird, and there are several films in this category. In this blog, I am going to discuss two films. I will look at content, camera etc., concerning both movies. I will talk about the films with clips relating to what I discuss.

If you don’t want spoilers you might want to watch the films before reading the commentary. 

The first film is found here:

The second film is found here: 

The first movie is based on a classic of Russian literature which catalogues the transition of the old order dependent on birthright to a new communist society. The film is called the twelve chairs.

In the first clip (watch till the 10 min mark), we can make some observations; the camera on this scene is mainly focused on Bender, the focus on this character is evidence of where the power lies in this scene. Another thing of interest is that we are introduced to the priest figure in this scene who is supposed to be above material things; however we see that he is very interested in the story of the jewels in fact, one of the themes of the 12 chairs appears to be the hypocritical nature of religion embodied in the character of the priest. 

The second clip (watch till the 14 min mark) in this clip as in the clip above at a certain during the discussion with eachother one of the characters will turn to and involve the audience. This is called breaking the fourth wall. Breaking the fourth wall allows your audience to engage with the material slightly differently.

In the third clip at 17.26 we see more digs at religion. Watch the clip to 23mins mark. Also I feel the third clip embodies a rough and ready look which gives the film a ‘timeless’ feel; also if you look at the 18.09 and at 18.48 mark with the dodgy doors, the buildings have a feeling of being unreal, and I feel it gives more of surreal nature the film. More questioning of religion at 22.31 with a focus on the words есть ли бог (is there a god) on a poster in the street. 

From the start of the fourth clip to 1 hr 35 mins, we see the message of communism with its rejection of hierarchy; in this clip, the old ruling classes are seen as not being able to fend for themselves, and the commoner is the hero of the piece.

From the start of the fifth clip to 1 hr 51 mins, I love the use of mixed media and see it enhancing the absurdity of the situation that Bender describes.

From the start of the sixth clip to 2 hrs 20 mins, the screen is spinning this has a disorientating impact on the viewer. It mirrors the disorientation experienced by the priest character as he descends into madness.

The last clip shows how fruitless one of the main characters was in carrying out their mission and thus the futility of greed. The very parts show images related to the twelves chairs; therefore, the film is quite meta and references itself. It also shows people from the film, but the film was set in the 1970s and not in 1920s Russia, where the film starts. The film seems quite moral with the overarching message that it doesn’t pay to be greedy.

The next film Moscow doesn’t believe in tears, this film won the academy award for best foreign-language film in 1981. It is said that Ronald Regan watched this film 8 times to understand Russian culture better.

 “Moscow puts no faith in tears” or “Moscow is unmoved by tears“) is a Russian proverb meaning “don’t complain, solve your problems by yourself”.

The film follows three comrades who have different attitudes to approaching and getting through life. One of the women is a hard-working woman who ends up raising up the ranks; she is tough, and she raises a child on her own. The child is born as the result of a one-night stand, which to some degree, I feel, raises questions of consent. Indeed, Russian feminists flip the script included Moscow doesn’t believe in tears in one of their critics of underlying messages to women from Russian cinema. You can see the meme here:

I think it’s interesting that the film seems to gloss over whether there was appropriate consent. I feel that there is more of a focus on the fact that he disappears and doesn’t provide for child and that the woman has to struggle independently. It feels that there is a focus on the woman not being complete despite her career without a man in her life.

The clip below from the start to 1 hr 6 mins implies that a woman needs a man to make the decisions in her life and that she should acknowledge this fact.

The other characters are women who choose wisely when finding a husband and live happily ever after. A woman who wants the best choice and potentially chooses a man for the wrong reasons ends up in an unhappy relationship. I feel that the other paths are there to illustrate the ‘importance of a good man in one’s life.’

Having said that, I love the character development and seeing the relationship between the three comrades. The film is also interesting as it’s a product of its time and reminds us of attitudes at that point in Russia. It also has great Russian music.

Useful English phrases: 10 mins to end Stunt man

They have a good body of work behind them-they have many years of experience in this field. This phrase is used for people in arts/people who write books/reports.

…where the principal actors aren’t required-a principal actor can be anyone with a speaking role on camera; however, it will depend on the nature of the production as to who counts as a principal actor.

…it doesn’t quite take the same toll on your body-something that takes a toll on your body ‘stresses’ the body and, over time, can damage muscle, joints etc.

CGI: computer generated imagery-computer generated effects in TV/film.

….doesn’t go into shards-piece of broken glass that typically has sharp edges.

5 mins to 10 mins stunt man interview

The work kind of picked up after that-this means he started to gain more work.

All I wanted to do was make a living from it-earn money to pay for bills, accommodation, and food.

What are the perks of the job-what is are the advantages and good things that come with working in that job.

Amazing sets/amazing scenery– set: film sets, where the film scene is shot. The scenery can be part of the set and also just located outside generally, e.g., the scenery in the countryside was amazing.

I’ve found I’ve had no end of stitches– something which sews the edge of a wound together.

In my downtime– downtime is time spent not working, this usually refers to weekends or holidays but can refer to time in between jobs when the work is on a contract basis.

I rehab everything- to rehabilitate, in this case, rehabilitation after injury.

Keeping myself fit-in this case, in good physical shape and strong.

That’s the pinnacle– a high point in the career of a stunt guy.

Useful English phrases from an interview with a stunt man first 5 mins

I’ve put up sentences with words in bold that I think people learning English might struggle with and I’ve explain what they mean. I’ve also explained useful general vocabulary e.g. vocabulary related to hobbies.

I grew up with a lot of old school TV shows like the A team-this term refers to something which was done differently in the past. Potentially in this context it means retro; something which is done differently now by still is kind of cool. However in other contexts old school can mean something which is outdated and needs to be changed.

Stunt man-a man who performs stunts as a double for an performer in films. Stunts can be physical actions which are complex to performer or acrobatic in nature and thus may be difficult for the performer/may be actions that can potentially result in injury if someone hasn’t had years of training.

It looked like the best, fun lifestyle-way of living

Hobby/sport vocabulary-

Fencing

“Fencing duel” by uwdigitalcollections is licensed under CC BY 2.0

Motor sports


“Motor cycle race” by ramnath bhat is licensed under CC BY 2.0
“Susie Stoddart Mucke Motors Sport AMG Mercedes C Klasse Brands Hatch July 2006 IMG_4768” by tonylanciabeta is licensed under CC BY-SA 2.0

Martial arts/combat sports

“Martial Art Demo during Marine Day Times Square, May 27 – Fleet Week New York 2011” by NYCMarines is licensed under CC BY 2.0
“An English Martial Arts exam” by adamnsinger is licensed under CC BY-ND 2.0
“kids martial arts pittsburgh” by PKA Karate is licensed under CC BY-ND 2.0

Swimming

“swimming” by Jim Bahn is licensed under CC BY 2.0

Trampolining


“Day 285 – Trampoline!” by lintmachine is licensed under CC BY-NC-SA 2.0

Gymnastics

“Men’s gymnastics” by William & Mary Photos is licensed under CC BY-NC-SA 2.0

rock climbing

“Rock Climbing” by DannonL is licensed under CC BY-SA 2.0

scuba diving

“Palm Beach SCUBA Diving” by SteelCityHobbies is licensed under CC BY 2.0

Parachuting

“Palm Beach SCUBA Diving” by SteelCityHobbies is licensed under CC BY 2.0

I’ve trained in gymnastics but I had to specifically gear that towards, the requirements of the British stunt register– gear towards (make it suitable for a particular purpose-in this case eligibility for the stunt register).

..it wasn’t as people would imagine that as soon as your qualified your phone will be ringing off the hook– to have gained a qualification after studying an academic or vocational qualification. To ring off the hook-to have people phoning constantly.